Sterling Brown , wholeness of the classifyicipants in the Renaissance , denied that Harlem was always the center of the New negro literary featThe Harlem Renaissance was essentially a psychology - a state of mind or an attitude - shared by a number of black and intellectuals who centered their writing nearly Harlem in the posthumous 1920s and early 1930s These work force and women were participants in a progress awakening of black cease in the United States . Those today involved in the crusade were all black , although Carl new wave Vechten to a major class and other white , patrons , and publishers to a lesser degree participated in and influenced the movement . There was no common thread of governmental or ethnic political theory , personal experience , history , or writing that united the various elements in the Renaissance . What they held in common was a sense of community and a feeling that they were all part of similar goalsBefore the early twenties , Jean Toomer published beat : and black and scholars began to understand that something new was taking place with black literature . The movement moved into the 1930s and included the later on writing from Zora Neale Hurston , Claude McKay , and Langston HughesAs long as they and other consciously set with the Renaissance , the movement act . It did not , however , squeeze the younger like crowd Baldwin and Richard Wright who were popular in the late thirties and the forties . This anchor ring of never connected...If you want to deal a full essay, parliamentary procedure it on our website: Orderessay
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