Develop complex antagonist to maximize conflict

\nIn most 01stories, almostbody baffles the problem that vexes the master(prenominal) section. This character is called the competitor. \n\nExamples of well-known foes include the tremendous Witch of the West in The Wizard of Oz, Sauron from The Lord of the Rings, and scribble in The Lion King. \n\n commonly a explanation is non told from the resisters perspective. In fact, often the antagonist is a flat, cardboard character whose touch on mind for existence is to cause trouble. This was one of the complaints Star trek creator Gene Roddenberry had of the Klingons in The Original Series. \n\nObviously the main character needs to be the focus of your story, and so the antagonist in contrast lead not be as developed. Still, you want to think a lot about the antagonist and give him deeper motives than greed, lust or evil. Hes arguably the sec most big character of your story, after all, and the reason why theres even a story to tell. By developing a backstory for the a ntagonists motivations, you tooshie create thematic tension. The antagonists motivations can be paralleled with and contrasted to the protagonists motivations and decisions. \n\nAs with the main character, you should know what your antagonist looks same, his strengths and weaknesses, his likes and dislikes, what motivates him, his parents and schooling, who hes date throughout his life, the foods he enjoys and hates, what he does during his free time, how his apartment is decorated, places hes visited and places he moreover wants to go, and more. You should know your antagonist around as well as you know yourself. \n\nIn addition, sometimes, the antagonist is not a hearty person but an cistron of nature or some competing idea in the main characters immanent conflict. Often these antagonists take on a life of their own, fair characters in their own right.\n\n privation an editor? Having your book, business written document or academic written report proofread or redact befo re submitting it can record invaluable. In an economic clime where you face heavy competition, your create verbally needs a second eye to give you the edge. Whether you follow from a big urban center like Jacksonville, Florida, or a small town like Dinkytown, Minnesota, I can abide that second eye.